Now, having already assigned noise pairs to typographic representations of letters , there are some further translation schemes possible (or impossible) to explore, such as:
typography—noise graphic shape;
typography—noise sound;
typography—impulse (ascending-descending);
typography—light spectrum;
typography—binary sequence;
typography—scent(?);
typography—flavor(?);
typography—touch(?);
typography—movement (dynamics, vibration);
and all different configurations consisting of these right-hand-side codes.
This is, though, still an open area for possible exploration and reinterpretation.
